The Economic Incentive for Studios to Promote Movies for the Oscars and The Cutthroat Battle of Obtaining Distribution Rights!

The battle to obtain distribution rights is the most competitive it has ever been with the introduction of streaming services. It will only continue to get bigger.

A picture of the Oscar logo at the 2019 award show

Introduction

Since the establishment of the renowned “Best Picture” Oscar award in 1929, film studios have campaigned for their movie to compete for the award by spending millions of dollars each year to promote its candidacy. An Oscar nomination or win does not always correlate with further box office success, but studios continue to promote their films even with the risk involved. An Oscar “bump” has been known as the winner or nominee within the “Best Picture” category gaining more viewership through box office success following the Oscars award show. There hasn’t been more than a $7 million “bump” at the box office since the silent film “The Artist” won the award in 2012. Recent articles have stated that the economy and film industry are changing due to streaming service giants obtaining rights to critically acclaimed films. Now, the Oscar “bump” has to include viewing on streaming services to go along with box office success. So why do studios continue to spend millions if the Oscar “bump” does not directly relate to box office success? Because now these critically acclaimed films are being viewed on streaming services rather than in the theatre. Studios such as Netflix, Amazon, A24, Fox, Columbia Pictures(owned by Sony) know that to get the most viewers possible(and more importantly the most prestige and money), they have to continue to obtain rights to critically acclaimed films. Most recently, Netflix saw an increase in media attention due to having rights to four out of the five films nominated in the “Best Picture Drama” category for the Golden Globe awards. Netflix is now considered a quality film distribution company, and the Golden Globe nominations will surely get Netflix more critically acclaimed films and exclusive partnership deals. Netflix has already signed a contract with director Martin Scorsese to have his work distributed exclusively on the platform. In a crowded streaming service platform race, Netflix is hoping to prevail through not only owning the most content, but more importantly the most quality content. Gaining access to high quality films for a streaming giant could help them prevail in the streaming service war. Netflix’s recent awards season success has put even more pressure on other studios in the competition, especially independent film studios. Since Netflix is trying to create a monopoly to limit other studios(and other streaming services) from gaining rights and praise for critically acclaimed films. Even A24, a popular studio giant, is partnering with Netflix to share rights to critically acclaimed film,“Uncut Gems”. Netflix is credited as the international distributor, and A24 is credited as the United States distributor. Sharing rights to critically acclaimed films may also be a trend we continue to see as having any distribution will boost revenue and prestige. The economic incentive is simple: The more nominations and awards won by a studio, the more critically acclaimed movies the studio will obtain which inevitably makes them more money. The hard part is actually implementing a strategy to make that happen with longevity. The crowded streaming service war will turn into the streaming services battling for critically acclaimed films, which inevitably will lend them partnerships and more exclusive content. It will also push big studios like Columbia Pictures(Sony) and Fox(Disney) to be limited in gaining rights, or have produce their own content and/or partner with other studios to get a share of the profit and prestige.

Independent Studios have been pushed out and even household names are losing rights to streaming giants such as Netflix and Amazon.

Netflix’s logo
A24’s logo

Streaming giants Netflix and Amazon have tried to make the jump in attaining high quality films to compete with big theatrical-partnered film studios. Netflix took a big loss at the awards last year, when they spent $15 million promoting “Roma”, but the film got upset by “Greenbook” in the “Best Picture” category.  This season, Netflix stocked up by obtaining and heavily promoting four Oscar candidate worthy films and they all seem to be getting tons of praise. Netfllix and Amazon are still competing against Columbia, Fox, and A24, unless they have a partnership with those studios to distribute the picture. I mentioned before that the competition is so cutthroat and competitive that A24 had to partner with Netflix to gain rights to Oscar contender “Uncut Gems”. Obviously, studios would want to promote and distribute a critically acclaimed film alone, but if only twenty films in a given year (usually) have a chance at an Oscar nomination, then it is inevitable that studios will partner with each other (including streaming services) to gain credibility if that film is in fact nominated. Together, these studios can spend an absurd amount of money promoting “Uncut Gems”. Columbia, Warner Bros, and Fox Searchlight are household names in the industry with a track record of multiple net picture wins each, so they have enormous amounts of money to spend each year on attaining rights and promoting critically acclaimed films. With the competition heating up between Warner Bros, A24, Columbia, Fox, and Netflix and Amazon, there is little room for independent studios to make a name and join this list in the competition. Especially with Netflix having four of five “Best Picture Drama” nods at the Golden Globes, and probably three to four of the seven to ten Oscar nominations for “Best Picture” when they are revealed, it is leaving little room for even the big studios like Fox, Columbia, Paramount…etc. However, it is not impossible for an independent studio to enter the competition as A24, a once small, independent company, now film studio giant, hit the lottery after their film Moonlight won “Best Picture” in 2017. Moonlight catapulted A24 into a powerful distribution studio and since 2017, not only has A24 received the rights to huge box office successes such as “Hereditary” and “The Lighthouse”, but also critically acclaimed films that are supposed to be up for multiple Oscar nominations such as “Waves”, “Uncut Gems”, and”The Farewell. Moonlight did not have a huge “Oscar Bump” with box office success or streaming services until late 2018 when it appeared on Netflix. Although Moonlight did not garner an extreme amount of box office success or streaming service recognition immediately after its “Best Picture” win, it catapulted the smaller/independent studio in A24 to a household name that will continue to gain rights to critically acclaimed films in the competitive field for years to come. However, in 2017, Netflix had 0 nominations for the Oscars and Columbia, Fox Searchlight, and Universal Pictures combined for 0 nominations. Paramount Pictures and Lionsgate were the only two big studios that got Oscar nominations for the “Best Picture” category. The rest of the films were distributed by independent film companies. Even Amazon got its first “Best Picture” nod in “Manchester by the Sea” that year, but more importantly, independent studios had more of a chance in 2017. At the 2019 Oscars, only one independent studio got a best picture nomination as Fox, Universal, Netflix, Columbia, and the other big studios received the other “Best Picture” nominations. Since Netflix is expected to receive 35 percent of “Best Picture” nominations for the upcoming 2020 Oscars, and they have already purchased big name films to distribute for next year, many people are worried that the streaming giant could be creating a monopoly. Gaining more and more critically acclaimed films would boost Netflix’s stock, viewers, revenue and help them with their enormous amount of debt. The better argument now is that big studios have a monopoly in the industry and independent studios’ Oscar nominations are down each year. It will be interesting to see in the coming years if this gaining rights to critically acclaimed Oscar films continues to be dominated by Netflix and other big names as a monopoly, or if more independent companies make a surge and make it more competitive. If Netflix is spending $10’s of millions per year to promote each of their movies, the bigger question is how an independent studio who has nowhere near the money or prestige to buy rights or promote the film, is going to compete with them. 

Marriage Story, one of four Netflix films expected to receive an Oscar nomination for Best Picture
The Irishman, another one of the critically acclaimed films from Netflix that is expected to get an Oscar nomination for “Best Picture”


The competition is heating up!

   Since independent studios have odds against them with bigger studios continuing to expand and take advantage of the competition, the competition right now is streaming services (Netflix, Amazon) vs. household studio names (Fox, Paramount). This year, according to GoldDerby.com(the most valued prediction website for award and talent shows), household studios Universal, Paramount, and Columbia are predicted to receive zero Oscar nominations for the “Best Picture” category, while Netflix is expected to receive four. Amazon bought a numerous amount of critically acclaimed material, hopeful to make a splash in this years nominations, since they haven’t had a Best Picture nominee since 2016. Unfortunately for Amazon, the two films they promoted the most from their batch of critically acclaimed material in 2019: “Honey Boy” and “The Report”, have been ruled out of Oscar territory according to many experts including GoldDerby.com. Even though Netflix is in tons of debt, it’s promotions of critically acclaimed films for this upcoming Oscar season has payed them dividends as they will have the most Oscar nominations of any other studio. Hulu did not even try to compete in this years award season because they are owned by Disney, which is working on multiple original films(to go along with the box office giant Marvel films) to put on Hulu and Disney Plus in the next couple of years to compete in the already stacked field. It also helps that Disney owns Fox, and of Colombia, Fox, Paramount, and Universal, Fox is the only one expected to receive an Oscar nomination this year in the “Best Picture” category.  Furthermore, Amazon being shut out and Hulu and Disney Plus waiting on their original films, Netflix(even with their debt) has won the streaming service race for this year. However, all of the streaming services know that a strategy to win the streaming service war in the long run is to monopolize quality content to the best of their ability or just buy everything(like Disney is trying to do). Disney has bought Fox and Marvel Fox Searchlight promoting high quality films and Marvel promoting box office successes), CBS owns Paramount Pictures and is going to introduce a new streaming service soon, and Sony owns Columbia Pictures and is trying to buy A24(which is still independently owned and private). Even though Netflix has won this award season so far, other streaming services(Disney Plus and Amazon) will continue to partner with other companies and studios(or again in Disney’s case just buy them) to gain as much quality content as possible in the near future. It does not help Netflix that they do not have a parent company supporting them, considering Fox Searchlight, Hulu, Columbia, Warner Bros, and Paramount, all have parent companies supporting them. Amazon is so rich off of their e-commerce and shipping business that they can support their own streaming service and do not need a parent company to continue to spend money on obtaining and promoting films. Even though Netflix won not only the streaming service battle, but the studio distribution battle as well this year, it remains to be seen if they can keep it up, considering more streaming services and studios have partnerships and are buying more exclusive content to compete. 

The Columbia Pictures logo, which is owned by Sony
Fox Searchlight Pictures Logo, owned by Disney

Paramount Pictures, owned by ViacomCBS

Disney Plus logo

Conclusion!

In conclusion, the economic incentive for studios to promote critically acclaimed films is to obtain rights to even more critically acclaimed films that will continue to make them money. Whether they distribute the films themselves(Columbia and Fox), or share the films(A24 with Netflix), getting as much high quality content as possible within a year is always the goal for studios. Considering only roughly twenty films have a shot at receiving a “Best Picture” nomination, studios scramble throughout the year to get distribution rights to those films. With the economy and film industry shifting to streaming services, competitors such as Netflix and Amazon have entered the already loaded race. Netflix has gained so much Oscar praise and nominations in so little time that other studios are fearing they will have trouble competing with Netflix. Independent studios have virtually no leverage anymore in obtaining critically acclaimed films since they do not have the money that Netflix has to by and promote high quality material. As Disney Plus, HBO Max(owned by Warnermedia), and possibly even Apple Plus enter the race to obtain critically acclaimed films, the pie will only get smaller. Obtaining distribution rights to critically acclaimed films may be the way to win the streaming service war. Even though Netflix has made a comeback (after spending $10 million promoting “Roma” for it not to win) with highly praised Oscar material this year, the competition will only get harder for them with Disney owning Fox and Disney Plus, which will spend enormous amounts of money in the next couple of years to obtain rights to critically acclaimed films. Not to mention that Sony, Universal, and Warner Bros will continue to partner with different streaming services and companies to gain critically acclaimed material in the years to come as well. Since the economy and film industry will continue to adapt to the streaming services and content war, it will be interesting to see if independent films can get back into the competition(A24). It will also be interesting to see if big studios can make a push to obtain rights to critically acclaimed films over the new competitor streaming services, or if the streaming services will take over completely and create a monopolizing business. Netflix has won the streaming service and content war in the short term(2019/early 2020), but it remains to be seen who will win in the long term and the effects it may have on the film industry and the economy. 

The Two Popes, another Netflix film expected to be nominated for “Best Picture” at the Oscars.

Sources:

  1. GoldDerby.com 
  2. CNBC.com – https://www.cnbc.com/2019/12/09/netflix-dominates-golden-globes-nominations-with-17-nods.html
  3. Indiewire- https://www.indiewire.com/2019/06/movie-exhibition-distribution-future-1202152832/
  4. The Verge- https://www.theverge.com/streaming-wars
  5. CNBC.com – https://www.cnbc.com/2019/11/16/disney-plus-streaming-wars-just-warming-up.html
  6. Time- https://time.com/5736490/streaming-wars-disney-plus-apple-tv/
  7. New York Times – https://www.nytimes.com/2019/01/17/business/media/paramount-pictures.html
  8. The Atlantic- https://www.theatlantic.com/entertainment/archive/2019/03/disney-fox-merger-and-future-hollywood/585481/
  9. The Observer- https://observer.com/2019/11/disney-fox-apple-netflix-media-merger-acquisition-predictions/

What is the economic incentive for studios to spend millions to promote an oscar campaign for a movie?

Since the establishment of the renowned Best Picture oscar, studios have campaigned for their movie to compete for the award, spending millions per year, even if there hasn’t been an oscar “bump” since 2012.

The change of the oscar “bump”



A depiction of the Oscar medal.

An Oscar “bump” is the winner or nominee of the best picture category gaining more viewership and box office money after the Oscars award show. There hasn’t been more than a 7 million dollar “bump” at the box office since the silent film “The Artist” won in 2012. So why do studious such as Netflix, A24, and Columbia pictures continue to spend 10-20 million dollars a year to campaign their films if the box office success after the oscar bump does not outweigh the costs? Is it because of clout within the industry to gain more rights to critically acclaimed pictures? Or is it because the economy and social structure has changed to where less people go to the theatre and more people view movies on their laptop on streaming services? How about both? Viewership matters most to studios so it does not matter if the film is being viewed on streaming services or the theatre? Or does it? Obviously, studios like Sony and Columbia pictures would love everyone to get off streaming services and go to the theatre if they do not have a partnership with the given streaming service. But Netflix, that is buying enormous amounts of oscar-nominated content, would love the bulk of their viewership to come from their streaming service. The economic incentive to promote these movies for studios is to gain even more rights to other critically acclaimed movies. There is a cutthroat competition that is ensuing between theatre-driven companies such as A24, Columbia, and Sony, and streaming service giants such as Netflix and Amazon Prime(which both spend and promote tons of movie content to get people to watch). Furthermore, the “Oscar bump” is and isn’t what it used to be. It has always been to gain viewership of the movie they promoted but it’s not completely in the theatres anymore. The bump is happening much more on streaming services and to realistically gather the revenue/profits made off of the promotion, streaming service viewership data would have to be included with box office money to get an accurate description of if promoting the picture is worth it. I can tell you this though, if it wasn’t making them money, they would not continue to spend millions to promote it!

Further information on the economic incentive.


The A24 studious logo that has become popular in critically acclaimed films.

It is just as important for an independent company to invest in critically acclaimed pictures to enter the cutthroat competition. A few years ago, A24 was just a small independent studio trying to enter the competition. Since 2016, we have seen an independent film company such as A24 rise to prominence after “Moonlight” won the studio its first best picture award in 2016. Since 2016, not only has A24 received the rights to huge box office successes such as “Hereditary” and “The Lighthouse”, but also critically acclaimed films that are supposed to be up for multiple Oscar nominations such as the upcoming releases of “Waves” and “Uncut Gems”, and the already released “The Farewell” and “The Last Black Man in San Francisco”. Its 2016 best picture winner, Moonlight, did not have a huge “Oscar Bump” with box office success or streaming services until late 2018 when it appeared on the Netflix streaming service. Although Moonlight did not garner an extreme amount of box office success or streaming service recognition after its best picture win, it catapulted the smaller/independent studio in A24 to a household name that will continue to have rights to critically acclaimed films for years to come.

Conclusion!


The poster for 2016 Best Picture winner, Moonlight.

In conclusion, the economic incentive for studios to promote critically acclaimed films relies on how much they make off both streaming services and box office money, and the prestige the award gives the studio to gain rights to more critically acclaimed movies. Promoting the film then proves to be an investment for the studio. Yes, sometimes the studio will lose money if their picture did not get nominated or win when they spent 10 million dollars promoting it. But, a lot of the time it will make the studios’ money in the long run as the investment will pay off. This gives more of an incentive for independent studios to look at A24 as an example to promote and gain rights to a critically acclaimed picture that will lose them money in the short run, but in the long run, it will catapult them into a competition to gain rights to more and more critically acclaimed films.

Venezuela’s extreme economic collapse!


The president of Venezuela, Nicolas Maduro

Venezuela’s debt has doubled in only one year!

Venezuela has been in the news over their economic collapse for the past couple of years. Some economists and historians have even deemed Venezeulas economic collapse as the biggest in decades outside of war. Most recently, Venezuela hit the news as their national debt doubled in one year and is not almost double the level of the country’s GDP. As Simon Constable says in his Forbes.com article “Venezeula Sinks Further into Oblivion” “At the end of the second quarter, total borrowing[in Venezuela] reached 198.4 percent of GDP”(Constable). When businesses and household debt become included in debt, the total debt comes out to be 221 percent of GDP.


Venezuelan citizens protesting the president and other government officials.




Hyperinflation is at 9,072 percent!

You read that right! Another economic indicator that is plaguing the Venezuelan economy is its 9,072 percent inflation rate! Well at least its better than deflation right? Only if you can recover from 9,072 percent worth of inflation! Foreign investors have placed such high interests rates on Venezuela’s lackluster cryptocurrency- the Petro which also further raises in the inflation rate and debt since it is impossible for Venezuela to pay their debt back. Venezuela has also taken out massive loans of 63 billion dollars from China since 2007, which also looks like they will not pay back anytime soon. Also, since 2016, every quarter has produced double-digit declines in GDP. Furthermore, when inflation was at 7,000 percent, President Maduro implemented a policy to eliminate the zeros from paper Bolivar bills so that a ten thousand Bolivar bill would be now worth ten. This further raised inflation and caused more economic turmoil. It is also important to note that the 9,072 percent inflation rate is just right now and the total inflation rate is expected to eclipse 15 million percent by the end of the year.

Why is Venezuela in this economic collapse if they have the most oil-rich country in the world?

You read that correctly. Venezuela, in the biggest non-war related economic collapse in decades, has the most oil reserves of any other country in the world. So how are they in crisis with an extremely valuable resource in oil? Well, that is a great question and is a big factor of why the Venezuelan citizens are so critical of the people in power. In fact, the only reason why Venezuela is not recovering from the economic collapse is because not only is President Maduro taking most of the money and resources in for himself, but also the actual leading oil company in the country, PDVSA, is so terribly run.

Conclusion

One of the many violent Venezuelan protests this year.

In conclusion, Venezuela is not just in an economic collapse, but also a political one. Because the country has virtually no assets or wealth, besides their terribly run oil reserves which aren’t helping decrease inflation, civilians are starving and homeless, while the political leaders use the mere money and resources left to live lavishly. To fix this issue, first off President Maduro needs to be out of office, and a new economically driven candidate can be elected to at least stop hyperinflation from getting worse. The head of PDVSA needs to be fired so the resource-rich company can promote value within Venezuela.

Greece’s economy finally on the rise?

After being in a debt crisis since 2009, consumer confidence is at its highest level since 2000 and GDP is expected to have almost 2 percent growth following the fiscal year.

Greece’s GDP Growth up until July 2019. The final quarter will be out at the end of the fiscal year!

How did Greece’s debt crisis get even worse after 2015?

Back in 2015, Greece was still trying to move in a positive direction following an already six year debt crisis. So when the July elections of 2015 came around, the people believed they needed drastic change and elected Alexis Tsipras and his super “left-winged” Syriza party to try and move the economy forward for a change. Tsipras implemented corporate taxes, regulations on international trade, and tons of entitlement programs that the government could not pay for. All of these policies made the debt escalate further which created a major recession.

Alexis Tsipras, the former leader of the Syriza party and prime minister of Greece



The Change in the Right Direction!

Greek citizens became extremely frustrated at the results of Tsipras and the Syriza party through their term, and earlier this year in the July elections opted to elect Kyriakos Mitsotakis, leader of the fiscally conservative “New Democracy” party. After years of different right and left-winged parties running the economy, Greece finally has returned to the two-party system that had them flourish in 2000. Many people worldwide were scared prior to the election that Greece would lean toward right-winged extremism”, but “The New Democracy” party beat out the right-winged “Golden Dawn” party to ensure that democracy is still alive and can flourish again in Greece. Mitsotakis did just that, reversing the socialist agenda that plagued the economy prior to his election. Mitsotakis has implemented corporate tax cuts, lifted restrictions on international trade, and limited entitlement programs within Greece since the government cannot afford it yet. He will continue to reform and work on these policies in the next couple of years as well. These policies are predicted to help the economy grow further and cause GDP to have 2 percent growth at the end of this fiscal year saw. Even though Mitsotakis has just been elected, many economists now believe the Greek economy is stable and will continue to get even better as the economy is at its best since 2000.

The prime minister of Greece, Kyriakos Mitsotakis.


Returning to Normality!

Greece’s capital controls and restrictions are a thing of the past with Mitsotakis in office. Unemployment is still the biggest issue in the Greek economy, but it’s down to 17 percent from its peak at 28 percent in 2013. Granted, many Greek workers do not get fired, as discussed in class last week, so people of college-age or in their young 20’s have a hard job getting employed. That problem is not only an economical issue but a political one as well which makes it hard to judge Greece’s economy on that 17 percent unemployment. Because international trade does not have as many restrictions anymore, Greece is all of a sudden a player in the foreign market, which in the next couple of years will spur the economy to grow even more. Another policy Mitsotakis has implemented is the banks getting rid of “non-performing” or “bad” loans which is set to help grow the economy as well. Greece’s new finance minister Christos Staikouras plans to re-pay 3 billion of Greece’s 8.5 billion euro debt this year as well. All of these policies are not only moving the Greek economy forward but also preventing it from future crashes.

Sources: https://www.ft.com/content/c2c42066-d93c-11e9-8f9b-77216ebe1f17 https://tradingeconomics.com/greece/gdp-growth-annual https://www.southeusummit.com/europe/greece-marks-major-economic-milestone-in-advance-of-a-month-of-financial-planning/

Why Argentina’s inflation rate could continue to grow!

Argentina’s inflation rate has risen to as high as 57 percent this year and has stayed at around 55 percent since its peak in May of 2019.

President of Argentina, Mauricio Macri, (Right) in a meeting with President Trump(Left)




In recent memory, Argentina has been known for two things: Really good homegrown beef and an extremely high inflation rate. Thank god for the high-quality beef, a key trade asset that has kept some value in the economy. However, even the best beef in the world can’t save the economy from an inevitable crash or crisis. Argentina’s inflation rate at the end of 2017 was only 24 percent, still unbearable, but nowhere near as bad as 57 percent. So the question is, what is the reason behind their 30 percentage point spike in inflation and how do we fix it?


The spike in Argentina’s Inflation rate over the past year (The Trading Economist)

Background information on how we got to this point

The Central bank has tried to control the Argentinian inflation rates in the past, but has proven unsuccessful. The Argentinian peso lost almost 51 percent of its value in 2018, and this year has lost 15 more percent of its value compared to the U.S. Dollar. The disesteemed peso has caused an extreme recession in Argentina, where poverty rates have gone up tremendously. The economy contracted 5.8 percent in the first quarter of 2019. This has left foreigners skeptical to invest in the Argentinian peso, but many continued their investments due to confidence in a turnaround. The spike in inflation in 2019 has not only driven most investors to stay away from the Peso, but has also forced banks to ease limits on foreign exchange interventions. The President of Argentina, Mauricio Macri, has been under a lot of pressure to fix the inflation rate or at least make the economy emerge in the right direction. But with election day coming in October, Macri’s chances of being re-elected are diminishing. Macri was elected as a moderate that would be fiscally conservative, a polar opposite to the “free-spending” 2015 president Cristina Fernandez, who originally started the extreme spike in inflation.

The Inflation Spike!

When Macri was elected into office in 2015, he started off with major budget cuts to offset the “free-spending” of Fernandez. Macri was furious with the free public subsidies given to families to get back on their feet from the 1998-2002 Argentine Great Depression that left millions impoverished. He believed that these subsidies caused an extreme spike in inflation and when Macri became elected, he got rid of the subsidies right away. People had relied on many of these subsidies to help provide for their family, and when these were taken away, they were not prepared to pay for things that had previously been taken care of by those subsidies. Once the budget cut kicked in, “Every time a water, electricity, or home heating gas subsidy was reduced, people’s monthly utility bills went up”(PRI.org), which caused consumer spending to go down dramatically. Business’s also had to pay off the utility bills which raised prices on goods and services. The people could not afford the goods and services anymore. The central bank then raised interest rates tremendously, thinking it was a good decision since the safe United States economy among other safe economies were doing it as well. Instead, private investment went down even more, and the recession got worse as inflation skyrocketed.


Lowering the inflation rate and Argentina’s big decision in October!



Former president of Argentina Cristina Fernandez

People put Macri at fault for the whole situation and blame his moderately conservative policies as the leading indicator for the spike in inflation. However, those policies did not spike inflation on their own as Private investors staying away from the devalued peso helped skyrocket inflation as not enough money was coming into the economy. Many are so angry with Macri that they want to venture back to “free-spending” and vote for the ultra-liberal and former president Cristina Fernandez. Citizens believe that Fernandez will at least lower the inflation rates back to 25 percent from 56 percent, since it hovered around there for part of her presidency. However, many of these citizens are uninformed and there are many lurking variables behind the spike in inflation and what caused it. Yes, Macri made the spike in inflation worse with his policies driving investors away, but this crisis could have been avoided if Macri implemented his policies at a slower rate, rather than drastically changing the economy right away which he did. Fernandez will make drastic changes as her free-spending agenda will raise inflation even more, ultimately making Argentina unlivable. Argentina needs a moderate with a fiscal agenda to take over. Macri was not the right fit, but someone who can read economies better than him, use similar fiscal policies, and implement those policies at a slower rate will make the economy better. If the people of Argentina decide to go ultra-liberal with their inflation rates at 56 percent, then an even bigger crisis is inevitable.

Sources:

Main source: https://www.pri.org/stories/2019-05-06/how-argentina-crept-threshold-crisis-again

Source 2: https://tradingeconomics.com/argentina/inflation-cpi

Source 3: https://www.forbes.com/sites/stevehanke/2019/03/16/argentinas-peso-nothing-but-trouble/#1f5a1d262a9a